What’s new in Cardboard

This week, Cardboard on Mac opens whatever your camera shoots, cutouts get sharper, and the Director learns to build in 3D.

Bring any footage

Drop in clips straight from your camera, pro formats included, and start editing. Each clip shows up right away and gets ready while you work.

Sharper cutouts

Background removal is cleaner around the edges, so your subject stands out and text placed behind them looks real.

Graphics in 3D

Ask the Director for a 3D scene, like a spinning product shot or a flight down to Earth, and it builds it for you.

A calmer agent chat

On Mac, the agent tells you what it's doing in plain words instead of code. Want the details back? Turn them on in Settings. The Director also keeps track of much longer sessions.

Bring whatever you shot and see what you make. Happy editing.

Cardboard now lives on your Mac. Sign in with the account you already have and pick up editing in an app of its own.

An app of its own

Download the app, drop in your footage and talk to your timeline. Your cut comes together in its own window, right next to everything else you're working on. Cardboard in the browser works just like it always has.

Bring your own Claude or Codex agent

Keep editing with Director, or switch to the agent you already use. If you have a Claude or ChatGPT plan, your agent does the thinking while Cardboard gives it the footage, the timeline, and the tools to cut.

Local by default

Your footage stays on your Mac, and Cardboard edits it right there. Nothing to upload, nothing to wait on.

Download it, drop in some footage, and tell us what you make. Happy editing.

A week on the parts you only notice when they break. Exports come out right, and graphics keep playing.

Exports you can trust

Every export gets checked before it reaches you. If the picture or sound didn't make it, we finish it in the cloud or tell you what's missing. No more frozen frames, no clicks in the audio.

Graphics that don't stall

One graphic plays straight into the next, with no grey boxes in between. If one stalls, it fixes itself. If it can't, there's a Retry button.

Less to notice, which is the point. Happy editing.

Scrubbing that keeps up

Drag the playhead and frames arrive as fast as you move, long recordings included. Projects open quicker too: what sits near the playhead loads first and the rest of your library follows quietly behind it.

Motion graphics you can edit by hand

Click a graphic and its properties panel lists the words, numbers and colours inside it. Change one and the canvas updates as you type, and the whole run collapses into a single undo.

B-roll lands on the right moment

Where a stock clip starts now comes from watching the clip, not from a dozen preview frames. Long archival footage stops opening on its title card.

More of that to come. And we're heads-down on something bigger behind the scenes, so keep an eye out :)

Styling moved onto the video this week. Text and effects both happen where you can see them now.

Text styling on the canvas

The toolbar floats next to the words you are editing instead of sitting off in a side panel. Font, weight, colour and shadow, all of it above the text. Presets restyle a clip without touching what it says, and the animation tiles play your own title rather than a stock phrase.

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Effects you can see before you pick

Every look is rendered on your own footage now, not a name in a list. Texture and finish sit above the colour looks, so grain and vignette stop getting lost among the grades.

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A Director that says when it is stuck

It used to reach its limit, try one more edit, and finish with nothing useful. Now it closes out and tells you what it could not do. It gets a lot more room on a long job, too. And when a reply lands, you can give it a thumbs up or down.

Sharper eyes on your footage

The model that watches your footage is new. Videos over a minute stop stalling partway through, and a long recording with one screen share in it no longer gets filed as a screen recording. B-roll picks are better as well: no letterboxed clips, and nothing already in your project gets pulled in twice.

Styling belongs where you can see it. More of that to come.

We moved house this week. Captions got the rework too: twenty-one styles now, and nine of them put the words behind the person talking.

We live at cardboard.ai now

Cardboard has a new address. usecardboard.com still works and still lands you in the same place, so your bookmarks and anything you've already shared carry on as they are.

Captions that pass behind you

Pick a style from Behind Subject and the words travel past the speaker instead of sitting on top of them. We find the person for you, clip by clip. If a shot has nobody in it, the words stay in front.

A toolbar right on the video

Click a caption and the controls come to you: font, size, colour, shadow, and the switch that puts the words behind your subject. Everything redraws as you go. Double-click to fix a word in place, and Apply to all gives the rest the same style.

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A steadier Director

Pick a track or a voice when it asks, and your original request carries on with that choice instead of starting over from the selection. It stops when it's stuck rather than going round again, and wraps up with a summary instead of going quiet. And before it calls an audio edit done, it listens to the finished mix.

Play a clip backwards

Open Speed, flip Reverse playback, and the clip runs backwards in the preview and in your export, marked REV on the timeline. Ask the Director for it if you'd rather. Reversed clips run silent.

Nine styles is a start. Tell us which ones you want next.

This one is mostly about trust. The Director checks its own work now, and tells you when something didn't land.

The Director checks its own work

Ask for a change and it goes back over the result before it says anything, holding your timeline up against what you actually asked for. If a part of it didn't land, you hear about it. It won't call an edit done when half the request quietly went missing.

Montages that don't repeat themselves

Every moment gets used once. When the music wants more cuts than your footage can fill, you get longer shots instead of the same clip three times over. Ask for a cut on every beat with too little to work with and it comes back to you rather than pad it out.

Cleanup that finishes the job

The dead air goes with the bad takes now. Ask for a cleanup and you get the retakes, the filler and the gaps they leave behind in one go, instead of a clean read full of holes.

The Director is getting harder to catch out. Tell us when it slips.

Two things you'll notice this week. You start with your footage instead of a blank prompt, and exports finish a lot sooner.

Start with your footage

Drop your clips in first. The prompt appears once they're in, so you're not staring at an empty box working out what to say. Send just the clips if you like, with nothing written. They line up in a single row however many you add, and if you take a couple out, we'll offer to clear the rest.

Exports are a lot faster

Here are a few of the runs we measured, before and after.

A straight cutPress to run itbefore35.4snow11.6s

Exports come out at High quality by default now, and the black frame that could flash between two clips is gone.

Send a clip to another project

Pick anything in your Asset library and Add to project sits next to Download. One field searches the projects you have or names a new one. You get your own copy, so deleting it in one project leaves the other alone, and adding the same clip twice still leaves you with one.

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You pick which version to keep

If we recover a version of your project, it waits for you. You see it next to the one you have now, with the time, clip count and length for both, and you choose. Nothing reaches your editor until you say so, and the recovered version stays put if anything goes wrong.

Drop a few clips in and see where it takes you.

Most of this week went into the parts of Cardboard you move through before you start cutting.

A sidebar that stays with you

Home, Projects and your Asset library now live down the left, and the rail folds away when you want the room. Your recent work sits in a row you can sweep through, with the sample projects cleared out.

Every file in one place

Everything you've uploaded, finally gathered out of individual projects. Search it, filter by type or length, and pull anything back down.

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Fill a layout slot from your media

Layouts used to ask which track to use, which isn't how anyone thinks. Now you pick straight from your footage, and it lands framed on whoever's in the shot.

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Ask it to fix black bars

Black edges are easy to spot and tedious to chase. Now you just ask, and the agent says so plainly when it can't.

Mostly about where things live. Have a look around.

This one's mostly polish: two new caption presets, color control precise to the number, and an editor that's calmer to sit in. Here's what shipped this week.

Two new caption presets

Beast Mode gives you that big MrBeast energy, and Rapid Reveal shows your words one at a time as you say them. Both are in the Captions panel now.

Color, to the number

Ask for an exact value and you get it. Say "exposure +0.8, temperature -20, every clip" and the real sliders move, instead of landing on a preset that's just close. Works across all ten color controls, on as many clips as you want.

A cleaner editor

Chat is easier to follow now, with the agent's thinking folded right into the rest of what it's doing. Side panels look more consistent, and clip thumbnails finally show the right frame.

ProRes and Dolby files just open

ProRes footage now imports, previews, and exports, instead of hitting an unsupported codec error. Dolby AC-3 and E-AC-3 audio plays and shows a waveform too. If a file truly can't be read, we'll tell you exactly what to convert it to.

A quiet week, but a solid one. Go make something good.

Hand the agent a video you like, and it matches it. Here's what shipped this week.

Show it what you're going for

Attach a video or image to your message. The agent studies its color, pacing, and fonts, then edits to match, and it can lift the audio straight onto your timeline.

A faster editor

The editor now loads about half the code it used to. Projects open the moment they're ready, and everything else just feels quicker to the touch.

A calmer chat

A long agent turn no longer reads like a wall of steps. It folds into one line while it works, and queued prompts now sit in a draggable row on the composer.

A new color picker

One picker for every color field: a hue ring, presets, and an eyedropper that samples any color on your screen.

Faster, tidier, and it can see what you're going for. Go make something good.

The big one this week: the agent can watch your video now and fix its own work. Free trials are here too. Here's everything.

A second pair of eyes

The agent can see your timeline now, not just the numbers behind it. After it makes a change it looks at the actual frames, spots what went wrong, a caption sliding off screen, a cut landing a beat early, and fixes it before handing the edit back. You can also point it at any moment and ask what it sees.

Try it free for three days

Every plan now opens with a 3-day free trial. Add a card, get the whole thing, and cancel any time before it ends. New here only.

Your work keeps running in the background

Switch tabs mid-import and Cardboard used to just stop. Not anymore. Uploads, analysis, and transcription now keep going while the tab sits in the background, and everything's caught up when you come back to it.

Download any clip

Right-click a clip on the timeline and hit Download Clip. You get just that piece, trimmed to exactly what's on your timeline, at full original quality. Works for video and audio.

More next week. Go make something good.

The timeline just got a lot more capable. Keyframes live right on it now, clips snap and duplicate the way you expect, blur joins your effects, and Cardboard can speak your editor's shortcuts.

Keyframes, right on the timeline

Open a track and its properties fan out into keyframe lanes. Drag the diamonds to retime a move, click one to jump there and light up the matching field in the inspector, and press Delete to drop it. Collapse the clip and the keyframes ride along as a marker strip. Press U to expand. Animate position, scale, opacity, blur, and more, with the preview following your drag live.

Cut, duplicate, snap

The timeline keeps up with your hands now. Cmd/Ctrl+X cuts the selected clips, Alt/Option-drag drops a duplicate right where you let go, and clips snap to each other's edges as you drag. Press S to toggle snapping off when you need to place something by eye. Dragging several clips across tracks lands them cleanly.

Your shortcuts, your way

Press ? for the redesigned shortcuts dialog: a full keyboard you can hover to inspect and click to rebind, with presets for Premiere Pro, DaVinci Resolve, Final Cut Pro, and CapCut. Bring the muscle memory you already have, or build your own map. Your changes stick.

Gaussian blur

Blur is one of your effects now. Soften a background, ease a face out of focus, or keyframe it in and out over time.

The editor's in your hands now. Go make something good.

This one is about getting your video in front of people. Share a link and anyone can watch and leave feedback right on the frame. Take a look at one of ours, comments and all. Here's what's new.

Share your video with a link

Turn any project into a link and send it to anyone. They open a clean watch page, no login, and always see your latest published cut. You decide when to publish: the page tells viewers plainly whether they're watching your latest edits or a version you haven't pushed yet, and copying the link works the instant one exists. Sharing is now on for every account.

Comments, pinned to the frame

On that same page, anyone with the link can leave a comment pinned to the exact moment in the video, just a name and email, no account needed. Each note jumps you straight to its timecode. You can resolve or delete them, and step right back into the project to act on the feedback.

Word Pop captions

A new caption style reveals your words as they're spoken and pops the keyword big on its own line. Captions also go quiet during long silences now, across every preset, so nothing lingers on screen when no one's talking.

Make something worth sharing. We'll get it in front of people.

Cardboard can now go find real footage for you, and there's a fresh set of retro film looks to give it character. Here's what's new.

Bring in real footage

Ask for a shot and Cardboard goes and finds it. It searches stock libraries and public archives, picks the clips that actually match, and drops them onto your timeline. Use them as b-roll over your voiceover or as the main visual, and every clip carries its credit. There's a new documentary flow too, that covers a voiceover end to end with real archival footage.

A retro look

New film and TV effects: grain, vignette, scanlines, and halation, plus faded film, technicolor, and newsreel presets. They live in the Effects panel, formerly Filters, preview on hover, and carry through to your exports exactly as you see them.

Pull audio off a clip

Ask the agent to separate a video's audio and it lifts the sound onto its own track, so you can keep the audio and drop or replace the picture. The same move the timeline already had, now something you can just ask for.

Roll something beautiful. We'll handle the b-roll.

Five new fonts, a smarter chat, and a handful of fixes.

Five new fonts

Advercase, ZT Formom, Pixelon, Bootzy, and New Romantics are available in the caption and text pickers. They carry through to exports at full parity, so what you preview is what you get.

Queue your messages

Send a prompt while the agent is still working and it goes into a queue, numbered and visible in the composer. Each one fires automatically when the previous run finishes. There's also a dedicated stop button now, separate from the send button, so you can abort a run without losing what you typed next.

More next week.

Three things got sharper this week. Reframing now carries across every clip you cut, music edits land on the beat, and the timeline stays smooth as your project grows.

One reframe for every clip

Cut a long recording into separate clips, a podcast into highlights or an interview into moments, and reframing now applies to all of them in a single pass and a single undo. Cardboard also stays on the right person through shot changes, instead of drifting to whoever just stepped out of frame.

Beats you can edit to

Beat-synced edits land where you expect them. Cardboard tracks a song's real beat grid instead of guessing from drum hits, so cuts and effects sit on the beat, even through quieter stretches with no percussion. It reads up to 20 minutes of a track too, so longer songs stay in sync the whole way.

A faster timeline

The timeline does far less work while you scroll, play, and edit, so it stays responsive on bigger projects. It also hands memory back during exports instead of holding onto it, so long sessions stay light.

Cut it however you like. Cardboard keeps up.

This is a big one. Cardboard looks and feels new, pricing just got simpler, and everything for your account finally lives in one place. Here's what's new.

A brand new Cardboard

Cardboard has a fresh new look, and it runs deeper than the visuals. The whole experience feels more personal and more polished, built around you and your work. We reimagined onboarding and redesigned every dashboard screen, so it feels right from your very first visit.

Simpler pricing

We've moved to usage-based pricing. Plans now start at $32 a month, down from $60, so it's easier to get started and you only pay for what you use. Generous weekly and monthly limits keep credits out of your way while you work.

Already with us? Nothing changes. You keep every perk and unlimited usage, just as we promised. Switch to the new plan anytime if it suits you better.

Read more on our pricing page.

Settings, all in one place

Your settings and billing are completely rebuilt. Privacy, your account, usage, payment methods, plan changes, upgrades and downgrades, monthly or annual, it all lives in one place now. No more hopping between your account and a separate billing dashboard just to change one thing.

A smarter agent

The agent got a lot of work under the hood, and you'll feel it. It's sharper, more direct, and more capable, with a more personal touch. Surgical edits and quick follow-ups in particular are faster and more precise than before.

We poured a lot into this one. We hope it shows.

A faster, smarter week. Cardboard frames your shots on its own, keeps speakers centered as they move, and gets you through voiceovers and big imports in a fraction of the time.

A smoother chat

Pick layouts, music, and voices right where you're chatting, without hunting through menus. Previews stay clean and out of the way while you type your next prompt.

Smarter auto-framing

Let Cardboard choose the right aspect ratio for you, faster and more accurately, from your footage and your prompt. Vertical, square, and wide cuts land without any extra setup.

Reframes that follow movement

Speakers stay in frame as they move around the shot, and the cut to whoever starts talking is quicker than before. Conversations feel natural without any manual keyframing.

Faster voiceovers and imports

Generate voiceovers up to 8x faster, with longer scripts that now finish reliably. Big footage imports up to 4x faster too, so heavy clips are ready to edit much sooner.

A bigger release lands next week. Stay close.

Less waiting, more editing. The agent gets to work sooner, speaker reframes feel more natural, and you can always see what Cardboard is preparing behind the scenes.

Faster AI edits

Prompts start working sooner, especially on larger projects, so there's less waiting after you ask Cardboard to make an edit.

Smarter speaker reframes

Speaker-focused edits feel more natural, with quicker switches and smoother tracking as people move.

Clearer media progress

When Cardboard needs to prepare clips before an edit, chat now shows exactly which files are still uploading, preparing, analyzing, or transcribing.

Smoother project home

Recent projects, samples, renames, and deletes are more dependable, with clearer previews before the important actions.

Less waiting, more flow.

Big multi-speaker clips just got easier, and the editor around them got faster. Cut to whoever's talking automatically, move through large edits smoothly, and come back to your projects fully intact.

Speaker-aware reframe

Turn interviews, podcasts, and other multi-speaker clips into fullscreen edits that cut to whoever is speaking, automatically.

A faster timeline

Move around bigger edits with smoother scrolling, clearer waveforms, tighter playhead sync, and more dependable dragging.

More reliable exports

Export layered projects with clearer progress, better downloads, and fewer edge-case failures.

Better project reopens

Come back to your projects with media, transcripts, analysis, and searchable moments restored more dependably.

Point it at your next interview and watch it cut itself.

Finding the right moment just got a lot faster. Search your footage by what's actually in it, peek inside any clip before you scrub, and review the highlights Cardboard picks before they reach your timeline.

Search for any moment

Find exact moments by what's said, what's on screen, the objects in frame, filenames, and scene details. Preview a match and drop just that segment onto your timeline.

Media insights at a glance

Open a media preview to see concise visual and speech context while you scrub, so you know what's inside a clip without watching the whole thing.

Highlight preview

Review the highlights Cardboard picks in a playable flyout, then choose what to keep before anything lands on your timeline.

Go find your moment.

A steadier week. Reframes track your subjects more naturally, and your projects come back the way you left them, even the ones you started offline.

Smoother auto-reframe

Speakers and subjects stay framed more naturally, especially on longer clips and shots with a lot of movement. Less drift, fewer awkward crops.

More reliable project opens

Reopen your projects with far fewer missing-media hiccups, including projects with generated voiceovers or work you started locally before syncing.

Plenty more under the hood, with something bigger on the way.

There are new subscription deals to grab, your projects open faster, and previewing clips feels a lot smoother. Here's what's new.

Special subscription offers

There's a new place to find subscription deals, with a landing experience built around the offer and a checkout flow that gets you through in fewer steps. It looks and works just as well on your phone, so you can browse and claim an offer wherever you are.

Projects that open faster

Opening a project is quicker now. Thumbnails appear sooner, the name shows up while everything loads so you always know what you're opening, and a clearer "preparing" phase tells you exactly where things stand. If an import hits a snag, it recovers on its own instead of leaving you stuck, and reopening picks up right where you left off.

Smoother media preview

Scrubbing through a clip lands where you expect it to, with a seek bar you can trust. Take any clip fullscreen and Cardboard's playback controls stay on top, so you keep full command of what you're watching.

P.S. Still reading down here? You're our kind of person. Hey can you share the secret offer with me?

Reframing got a lot smarter this week. Multi-person footage now lays itself out into clean split layouts, transcript cleanup lets you pick how aggressive to be, and long transcripts scroll without a hitch.

Speaker grids from one prompt

Point Cardboard at multi-person footage and ask for a split layout. It recognizes each speaker and arranges them into their own slot automatically, so a single prompt turns a busy shot into a polished grid. Auto-reframe motion is steadier too, with smooth tracking that keeps your subject framed cleanly even on fast-moving shots.

Cleanup, your way

Transcript cleanup now asks how far you want to go. Pick Light, Balanced, or Tight right in chat and preview each one before you commit, so you can see exactly what gets cut. Whatever you choose, word boundaries stay protected and nothing gets clipped mid-word.

A faster captions panel

Scroll through long-form transcripts without the lag. Even projects with thousands of caption segments stay smooth, and your captions show up the moment a project opens instead of waiting for the panel to catch up.

Hand Cardboard a room full of speakers and get a clean grid back.

This release is all about handing your edit off cleanly and picking your work back up wherever you are. Exports now drop straight into DaVinci Resolve, and your chats follow you across devices.

A clean handoff to DaVinci Resolve

Send your edit to DaVinci Resolve and it just opens. Media relinks on its own, camera timecodes come along for the ride, your assets are bundled, and the audio is all there. Premiere handoffs got the same care, with cleaner export options, bundled assets, and smarter media sorting so projects land where you expect.

Chats that follow you

Your AI conversations now live with your account instead of a single browser tab. Start something on your laptop, refresh the page, or move to another machine, and the whole history is waiting for you.

A clearer welcome

Open Cardboard in Arc, Safari, or Brave and you'll get a friendly nudge that tells you exactly what to do next, so a new browser never leaves you guessing.

Edit here, finish in Resolve. Your chat history makes the trip too.

Big files edit smoothly now, projects open faster, and the agent always works from what's actually on your timeline. Here's what's new.

Edit big files without the lag

Drop in a massive video and keep editing at full speed. Large media gets prepared in the background, so playback and scrubbing stay smooth no matter how heavy the source footage is.

Projects that open faster

Opening a project is quicker, and you can see it happen. A detailed progress view shows what's loading, and your media gets checked along the way so problems surface before they trip you up.

An agent that sees your latest timeline

The agent now always works from your current timeline, so its edits land where you expect. It checks the state of your project before acting, which means more accurate changes and fewer surprises.

The heavy lifting happens in the cloud now, so your projects open faster.

Audio now stays locked to picture no matter how long your timeline runs, in playback and in your exports. Here's what changed.

Audio that stays in sync

We rebuilt how audio lines up with your video, and the drift is gone. Play back or export an hour-long project and the sound stays right where it belongs, from the first frame to the last. Long timelines that used to slowly slip out of time now hold perfectly, all the way through.

Press play on your longest project. The audio will be exactly where you left it.

Cardboard now exports locally in Microsoft Edge, your audio stays tighter through long projects, and your browser tells you up front whether it can keep up.

Export in Microsoft Edge

You can now export your videos locally right inside Microsoft Edge, no Chrome required. If Edge is your everyday browser, you can edit and finish a project end to end without switching to anything else.

Know your browser is ready

If your browser is missing the graphics support Cardboard needs, you'll get a clear heads-up instead of a confusing failure later. You'll know what's wrong and what to do about it before you sink time into an edit.

Edge users, this one's for you.

Exports are faster and far more reliable, you can now work in Mandarin, and managing your plan no longer means leaving the app. Here's what's new.

More reliable exports

Exporting in Chrome is steadier now, with better audio handling and recovery when something goes wrong mid-render. We stress-tested it against projects over 200 GB, so even your heaviest timelines make it all the way through.

Faster exports

We rebuilt the export pipeline and put your hardware to work. Renders are quicker across the board, and the gains hold up on larger projects instead of slowing to a crawl.

Mandarin support

You can now transcribe, analyze, and caption your videos in Chinese (Mandarin). Cleanup and captions work the same way they always have, just in a new language.

Manage your plan in settings

Cancelling or changing your subscription now happens right inside settings. No support email, no separate billing page, just the controls where you'd expect them.

Even your biggest exports finish in a fraction of the time now.

You can export GIFs now, let clips reframe themselves for any aspect ratio, and hear voices before you commit to one. Here's what's new.

Export a GIF

Pick any range of your video and export it as a GIF. Thumbnails let you scrub to exactly the frames you want, so the loop you share is the one you meant to make.

Reframing that follows the subject

Switch to a new aspect ratio and your clips adjust their own scale and position to keep the subject in view. No more nudging every shot by hand when you move from wide to vertical.

Better voiceovers and text

Preview voice options and hear how each one sounds before you generate a voiceover, so the take you get is the one you picked. Text got richer too: add motion with 12 new presets, rotate it, tune its padding, and it stays crisp wherever you place it. And when an idea is still rough, one click rewrites it into a clearer edit request.

Set the ratio once, and your clips reframe themselves.

You can now rewind your AI chat to any point and get the timeline back exactly as it was. Exports are faster, and sign-in got a cinematic makeover.

Chat checkpoints

Every message in your AI chat is now a save point. Roll back to any earlier moment and your timeline returns exactly as it was, so you can explore a bold edit and step back without losing your place.

Faster, steadier exports

Exports render noticeably faster, and the long ones hold together. Hour-long videos now finish without stalls, audio cutoffs, or a frozen progress bar, and the percentage stays honest the whole way through.

A redesigned sign-in

Logging in greets you with a cinematic split-screen and smooth transitions. It is the same quick path in, with a lot more polish on the way.

Take a risk in chat. If it does not land, one click puts everything back.

This week is about finishing the cut and getting it out clean. You can lay out shots faster, bring in much bigger files, cut to the beat, and export with HDR color intact.

Layouts you can shape by hand

Layout presets are redesigned with drag-and-drop and live previews, so you can see each arrangement before you commit and nudge things until the framing feels right.

A sharper agent

The agent asks better questions when it isn't sure what you mean, including grouped multi-part prompts instead of one at a time. When several music tracks fit, it hands you an interactive picker so you choose the one you want. It can also cut to the beat now, lining up your edit with the percussion in a track.

Bigger files, cleaner exports

Upload limits doubled: up to 2.5GB on Creator and up to 10GB on Pro. On the way out, software encoding, a low-memory mode, and HDR color correction keep long videos exporting reliably with their full color.

Ten gigs in, full HDR out.

This week is about the moments between your clips and the world behind your subject. You get real transitions, one-click background removal, voiceovers that arrive as they speak, and captions in more languages.

Transitions between clips

Add a transition wherever two clips meet, with the controls right there at the seam. Set the look and timing without leaving your edit, and the cut between shots flows the way you want.

Lift your subject out of the background

Remove or replace the background on any video or image in a single click. Cardboard reads the depth of the scene too, so it can tuck text behind your subject for a layered, in-the-room look.

Voiceovers that stream as they speak

Voiceovers are more expressive now, and they start playing back as they're generated instead of making you wait for the whole take. Captions also speak more languages, so you can subtitle in whatever your audience reads.

Subtitle once, reach everyone.

This week is about starting faster and worrying less. Drop in a layout to kick off an edit, clear the dead air out of your recordings, and let your work save itself in the background.

Start from a layout

New layout presets give you a head start on common compositions, so you can drop one in and build from there instead of arranging everything from scratch. It's the fastest way to get an edit moving.

Clear out the silence

Auto-cleanup reads your transcript and trims the silent gaps and dead takes out of a recording for you. Point it at a long, rambly take and get back something tight and watchable.

Saved without thinking about it

Your projects now back up to the cloud on their own while you keep editing, so nothing waits on a save button and you never lose your place. We also moved into a new home at usecardboard.com (now cardboard.ai).

Save button? You won't miss it.

The timeline is rebuilt, there's a library of music and sound effects to draw from, and you can now start a project straight from a prompt. We also opened the doors to everyone with a free trial.

Start from a prompt

The home screen now puts the agent front and center. Describe the video you want and start building right there, instead of setting up an empty project first and figuring out where to begin.

A rebuilt timeline

The timeline got a ground-up rework, and editing feels steadier for it. Dragging clips is smoother, trimming lands where you mean it to, and the small frictions that used to slow you down are gone.

Music and sound effects

Browse a curated library of music and sound effects and drop them straight onto your timeline. Music and sound effects now behave the same way, so once you've placed one you already know how the rest work.

Open to everyone

We retired the waitlist. Anyone can sign up and start with a free trial, and subscriptions are live when you're ready to keep going.

The waitlist is gone. The doors are open to everyone.

This week brings a fresh caption style, smoother product demos, and room for much bigger footage. Here's what's new.

Captions that reveal as you talk

Stacked captions are a new animation that brings your text in line by line as it's spoken, so it reads along with the voice instead of landing all at once. The captions panel now follows the playhead while you work, and steps aside the moment you scroll so you can move freely.

Smoother product demos

Putting together a product demo is easier now, with better support for the moves those edits lean on. Crop a clip to a preset aspect ratio right on the canvas, save the current preview frame as an image, and press F to drop into fullscreen for a clean look at your work.

Room for bigger footage

You can now edit videos up to 5GB, so longer recordings and high-bitrate captures come in without trimming them down first. Import iPhone photos in their HEIC and HEIF form directly, no conversion step. And if files moved since your last session, reconnect them in place instead of starting over.

Captions that keep pace, files that don't hold back.

A big week for voices and finding your footage. You can clone any voice, search your media by describing it in plain language, and edit your timeline with fewer fiddly steps.

Voices that sound like you want

Browse hundreds of voices and narrow them down by gender, age, accent, and language until one feels right. If you have a voice in mind that isn't there, clone it by uploading or recording a short sample. Voiceovers also get a cleanup pass that strips filler words and dead pauses so they land cleanly, and transcription now handles 10+ languages with automatic detection.

Search by describing it

Find media by writing a rough sentence instead of guessing at filenames or exact words. Describe the moment you're after and Cardboard surfaces the clips that match.

A faster timeline

Ripple delete removes a clip and closes the gap it leaves behind in one move, so your edit stays tight. The agent also chimes in mid-conversation with clickable suggestions, so the next useful step is right there when you want it.

Clone a voice, search a line, trim in a tap.

A few big ones this time. You can generate voiceovers, the agent understands what's happening inside your frame, and there's more to play with on the canvas and in chat.

Generate voiceovers

Create professional voiceovers right inside Cardboard, with a range of voices to pick from. Drop one onto a section that needs narration and keep editing without ever leaving your project.

An agent that sees your frame

The agent now understands what's happening inside your frame. It places captions and overlays where they won't block your subject, so things land in the right spot the first time.

Move around the canvas

Pan, zoom, align, and rotate with guides and snapping to position everything just right. Timeline zoom now anchors around the playhead, so you stay oriented as you move through a project.

Start from a sample

New explainer and montage templates get you going fast. Open one, swap in your media, and you have a real project to build from instead of a blank canvas.

Give your edits a voice. We're only getting warmed up.

A big one for motion and storage. You can animate anything on the timeline, bend playback speed for slow-motion or time-lapse, dress up your video with a background, and keep your projects safe in the cloud.

Animate anything with keyframes

Set keyframes on timeline items and let Cardboard move them for you. Position, scale, and more can now change over time, so you can build real motion into your edits instead of static placements.

Bend playback speed

Speed clips up for a time-lapse or slow them down for a dramatic beat. Speed changes carry through to your audio and exports, so what you hear in the editor is what you get in the final video.

Backgrounds for your video

Drop a background behind your video, whether that's a gradient, a solid color, or one of the macOS wallpapers. It's an easy way to frame vertical clips or give a plain shot some room to breathe.

Your projects, in the cloud

Projects and media now live in the cloud, so your work is backed up and ready to pick up from anywhere. A new settings panel also gives you one place to manage your preferences.

More ways to move, and a safer home for your work.

Cardboard understands your footage now, there's a music library to score it, and a handful of on-canvas tools make shaping your edit feel direct. Here's what's new.

An agent that sees your footage

The agent can now look at what's actually in your clips, the scenes, actions, and on-screen text, and suggest edits based on it. Describe a moment in plain language and it finds the footage, and you can ask it to generate and place captions across your timeline for you.

A music library

Browse royalty-free tracks by genre and mood and drop them straight onto your timeline. Tracks preload as you hover, so the moment you pick one it's ready to play.

Shape your edit on the canvas

Crop videos and images right on the canvas with pixel precision, and hold Option or Option + Shift while you resize for finer control. Hover any color grade to preview it before you commit, and reach for new text controls like letter spacing and line height to get type looking the way you want.

The agent can see now. Imagine where that goes.

A big step forward. Cardboard can now transcribe your footage, the agent got a major overhaul, and you can edit clips right on the canvas. Here's what's new.

Automatic transcription

Drop in a video or audio file and Cardboard transcribes it for you. The text is fully searchable, so you can jump straight to the moment you're after, and you get timestamped captions to work from.

A smarter agent

Director chat has been overhauled with new tools, clearer messages, and a model picker so you can choose the model that fits the job. Conversations are steadier now, and the agent reasons more reliably about your project as you work.

Edit on the canvas

You can now drag, scale, and position clips directly on the canvas and see the result in real time. A new unified effects panel keeps your transitions and effects in one place, you can select several timeline items at once to edit them together, and you can hand a project off to Premiere Pro with XML export.

A lot landed this week, and we're not slowing down.

A big set of building blocks this release. You can move between clips with transitions, drop styled text on your video, find any moment by describing it, and chat with the agent in a panel that remembers your conversations.

Transitions and text

You can now add fade, scale, and fly transitions between clips, so cuts move the way you want them to. Text gets its own toolkit too: drop styled overlays on your video, start from a preset, and dial in the typography until it reads right.

Find any moment by describing it

Search your footage in plain language and jump straight to the shot you mean. Cardboard understands what's happening on screen, so a phrase like "the wide shot of the beach" lands you on the right frame with a timestamped thumbnail to confirm it.

A new look and the Director chat

Cardboard has a fresh color system with a dark theme and a redesigned landing page. Alongside it, the chat panel is now Director, with conversations that stick around so you can pick up where you left off and switch between them easily.

Keyboard shortcuts

Common timeline actions are now a keystroke away. Space, the arrow keys, delete, and more all work the way you'd expect, so you can edit without reaching for the mouse.

The building blocks are in. Now the fun part.

This release makes editing feel smoother end to end. Playback and previews are quicker, the timeline gives you finer control, and chat keeps more of your work in view.

Smoother, sharper playback

Video now plays back faster and more accurately, with quicker previews while you work and crisper, higher-quality exports when you're done. Layered edits hold up under heavier projects, so you can keep building without the preview falling behind.

More control on the timeline

Scrubbing, snapping, and clip placement are more precise, and you can now stack your edits across multiple layers. Visual guidelines and per-clip audio waveforms make it easier to line everything up. A new properties sidebar lets you dial in position, scale, rotation, opacity, blend mode, and audio for any clip directly on the timeline.

Sharper understanding, roomier chat

Cardboard analyzes your footage faster and more accurately, right in the browser, so it has a better read on what's in your clips. Chat now supports multiple tabs and a one-click way to clear history, so you can keep separate threads going and start fresh whenever you like.

Faster on every front, with plenty still to come.

Cardboard is here. This first release gives you everything you need to bring your footage in, cut it on a timeline, and ask the agent for help along the way.

Bring in your media

Import images, music, and video, and keep everything organized inside projects. When you're looking for a specific moment, search by what's happening on screen and jump straight to the right clip.

Edit on the timeline

Drag clips onto a multi-track timeline, split them where you want, and scrub or zoom in for precise cuts. Your changes show up in the preview as you make them, and you can switch between 16:9, 9:16, and 1:1 whenever your project calls for it.

Shape the workspace

Resize panels to fit how you work, and reach for keyboard shortcuts to move faster. When you're done, export your project in a range of formats, including XML.

Edit with the agent

Tell the agent what you want in plain language and it makes the edit for you, so quick changes are just a message away.

Welcome to Cardboard. We can't wait to see what you make.